取与舍,就是裁去一般,留取精华;裁去平淡,突出主题;裁去粗俗,保留高雅。盆景艺术创作之初,组织构图,首先就要确定取舍。没有取,就不能树立作品的主体形象。没有主体形象,要表现作品的主题,突出重点,突出意境从何谈起?!不破不立,有破方有立。取,即是立。没有舍,就好似眉毛胡子一把抓。一棵树木素材,局部来看这一枝很美,那一枝也飘逸,这也好,那也好,哪一枝也舍不得裁去;一件山石盆景作品,每一个山峰都想表现,每一块石头都想突出。就像一台戏、一部电视剧,主配角不分,台上镜前的每一个演员都想在镜头中增加表现力度;一幅画,什么都想表现得淋漓尽致。主次不分、轻重不分、没有剪裁、没有取舍、都想表现、都想突出的结果是适得其反,必然是都不突出,主题、意境的力度被严重削弱,变得模糊不清。因此,盆景创作构图之先,就要 Take and homes, is to cut the general, to retain the best; cut off plain, highlighting the theme; cut vulgar, elegant and reserved. Bonsai art at the beginning of the composition of the organization, we must first determine the trade-offs. Without it, we can not establish the main image of the work. No main image, to express the theme of the work, highlighting the key, highlighting the mood from where to talk about! Take, that is legislation. No homes, like eyebrows beard caught. A tree material, local view of this branch is beautiful, that one is also elegant, this is also good, that is good, which one is also reluctant to cut; a rock bonsai works, every mountain want to show that every stone Want to highlight. Like a drama, a TV series, the main supporting the audience regardless of stage mirror every actor wants to increase performance in the camera; a picture, everything wants to behave most vividly. No distinction was made between primary and secondary, no distinction was made. No tailoring, no trade-off, all wanted performance, and all wanted to highlight the result was counterproductive, inevitably not prominent, the intensity of the theme, mood was severely weakened, blurred. Therefore, the composition of the first bonsai composition, it is necessary