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本文基于对尚丁的绘画创作从观看方式和艺术表达两方面进行探讨与论述,并对20世纪70、80年代的军事美术史(油画创作部分)作一定程度的比较研究,从而实现艺术理论和写实语言上的梳理,在重新认识和确立尚丁军事题材油画在这一特定历史时期文化艺术身份的同时,提出对位性的思考。
Based on the discussion of Shang ding’s painting creation from both viewing and artistic expression, this article makes a comparative study of military art history (oil painting creation) in the 1970s and 1980s to some extent, Realistic combing of the language, in the re-understanding and establishment Shanghang military themes painting in this particular historical period of cultural and artistic identity at the same time, put forward the thinking of alignment.