布朗莱(Branles)西方舞蹈史学家认为,在中世纪,按照弧线跳的卡罗尔并非是最重要的圆舞(Round Dance),因为后者要求舞者们必须完成一个整圆,并且从不中断。一连串的舞者们在跳布朗莱时,则会经常地加入到圆舞之中,但同时,也可按照某个圆形中的一段弧线而舞,也就是说,其跳舞的图形可以是完整的圆,也可以是不完整的圆。在法国,早期的“布朗莱”本是“摇摆”的意思。因此,许多舞蹈教师便误认为它的意思是每个舞者都左右摇摆,就像“前拉斐尔派绘画”中的人物那样多愁善感、晕晕乎乎地晃动自己的身体。实际上,这个动词的真正含义更像是钟摆那样去摆荡,即整条线路先往左侧、后往右侧地流动。法兰多尔留给 Western dance historians at Branles argue that in the Middle Ages, Carroll, jumping according to an arc, was not the most important Round Dance, as the latter required the dancers to complete a full circle and never Interrupted. When a series of dancers jump in Brown Langley, they often join the circle dance, but at the same time, they can also dance according to a curve in a circle. That is, the dance figure can be A complete circle can also be an incomplete circle. In France, the early “Brownleigh” was originally meant to “swing”. As a result, many dance teachers mistakenly assume that it meant that each dancer swings left and right, just as sentimental as the characters in “Pre-Raphaelite paintings,” shaking his body in dazies. In fact, the real meaning of this verb is more like swinging the pendulum, that is, the whole line flows first to the left and then to the right. Falndor left