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在元代神仙道化剧中,描写男女主人公同时被神仙度脱的剧目计有七种,这些剧作中普遍存在着这样一种关目设置:作为被度脱者,女性往往较男性更早地感受到了神仙的召唤,并更主动地追随神仙的指引,进行“道”的修炼。与男性相比,她们更为接近“道”的境界,更能体悟“道”的精神。我们认为,这种关目设置蕴涵着深刻的宗教意蕴,它是道教繁复理论体系中一个隐晦而重要的观念——女性崇拜——对元代神仙道化剧的创作产生影响的结果。
In the immortal Taoist drama of the Yuan Dynasty, there are seven kinds of repertoire depicting the heroine and the heroine, and there is a common goal in these dramas: as a deceased person, women tend to be older than men Feel the call of the gods, and more initiative to follow the guidance of the gods, “Dao ” practice. Compared with men, they are closer to the realm of Taoism, and can better understand the spirit of Taoism. In our opinion, this establishment of customs implies profound religious connotations. It is a result of the obscure and important concept of the cult of women, the obscure and important concept in the complex system of Taoism, that influences the creation of the immortal drama in the Yuan Dynasty.