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现行的《中国文学史》将宋玉的楚辞《九辨》当成唯一的代表作,是承袭了早已过时的“疑古”思潮的影响、否定了宋玉对其楚赋著作权的结果。其违背历史真实的负面作用十分严重。作家的代表作,应是最能体现其创作特点、技巧、风格、水平和成就且具时代性的名篇佳作;同一作家,可以有一篇以上的代表作。目前,学界日益普遍认同的宋玉楚赋作品已有上十篇。宋玉好楚辞而以赋见称。应当在《九辨》之外,从《高唐赋》《神女赋》《登徒子好色赋》《风赋》等宋赋中研定一、两篇,一并作为宋玉的代表作,以切实恢复宋玉在文学上固有的历史原貌。
The current history of Chinese literature regards Song Yu’s “Nine Dynasties” as the only representative masterpiece, inheriting the outdated “Doubtful ” trend of thought and denying Song Yu the result of his copyright assignment to Chu. Its negative impact on historical truth is very serious. Writer’s masterpieces should be the most famous masterpieces that reflect their creative features, skills, style, level and achievements with the times. The same writer can have more than one masterpiece. At present, the works of Song Yu Chu Fu, which is increasingly accepted by the academic community, have been published on ten articles. Song Yu Chu good to see and say. One or two articles should be made out of Song Fu, such as Gaotang Fu, Goddess Fu, Dengdezi Er Fu, Feng Fu and other works together with Song Yu’s masterpiece Restore Song Yu inherent literary history.