剧院近日重排重演李龙云的《小井胡同》,我于看戏前后重读了文学剧本,感慨良多。这部作品被已故戏剧大家王季思先生称作“中国当代十大正剧”之一(见王季思主编《中国当代十大正剧集》前言),毫无疑问,作为一个时期中国话剧的一部代表作,《小井胡同》(以下简称《小井》)当之无愧;眼下面对导演杨立新的舞台呈现(演出应该是更完整的解读),我忽焉沉思,这部作品更是超越年代的经典,因为人性永远没有过时,我甚至很想请教季思师,这部作品的“戏骨”应该是悲剧的啊,它把尘世间人性的 Recently, the theater reordered Li Longyun’s “Alley”, I read the script before and after the literary play, feeling a lot. This work was referred to by the late Mr. Wang Jisi, the late dramatist, as one of the “Ten Contemporary Chinese Masters” (see the preface of Wang Jisi, editor of “Ten Contemporary Chinese Top Ten TV Series”). There is no doubt that as a part of Chinese drama in a period Representative works, “alley” (“Well”) well-deserved; now face the director Yang Lixin stage rendering (performance should be more complete interpretation), I suddenly meditation, this work is even more than the classic classics, because of human nature Never outdated, I would even like to ask the season thinker, this work’s “play bone” should be tragedy ah, it earthly humanity