“当悲哀的昨日将要死去,欢笑的明天已向我们走来,而人们说,你们不应该哭泣……”一群男女步履蹒跚地走在乡村田埂上,画面色调清冷低沉,歌声悲凉却透出刚毅。台湾导演侯孝贤的作品《好男好女》中,这样一段画面重现了上世纪40年代,几位台湾青年不满日本殖民统治,跨越海峡,回到祖国大陆参加抗战的真实历史,让人们看到残酷时代里一份纯净的理想主义情怀。 “When sorrow yesterday is about to die, the laughter of tomorrow has come to us, and people say you should not cry ... ” A group of men and women walked staggeringly in the countryside, the picture is chilly, Out of resolute. In Taiwan’s Hou Hsiao-hsien’s work, “A Good Guy,” this picture reproduces the true history of several Taiwan youths who were dissatisfied with Japanese colonial rule, across the Taiwan Strait and returned to the motherland’s mainland to participate in the war of resistance against Japan in the 1940s so that people could see Cruel era of a pure idealism.