元杂剧在中国文学史上占有重要的位置,至明代,杂剧已不如元代兴盛,但仍佳作不断。在明后期的杂剧作家中,王衡是极为重要的一家。他创作了《郁轮袍》、《没奈何》、《真傀儡》、《再生缘》、《裴湛和合》等五部。除《裴湛和合》未传下来,其余四部杂剧都搬上了舞台,并流传了下来。王衡,字辰玉,号缑山,别署蘅芜室主人。出生于明嘉靖四十年(1561),卒于明万历三十 Yuan drama in the history of Chinese literature occupies an important position to the Ming Dynasty, the drama is not as good as the Yuan Dynasty prosperity, but still masterpieces continue. In the late Ming Dynasty drama writer, Wang Heng is an extremely important one. He created “Yu wheel gown”, “no choice”, “true puppet”, “reborn”, “Pei Cham Wo Hop” and other five. Except “Pei Cham Wo Hop” did not pass down, the remaining four dramas are on the stage, and spread down. Wang Heng, the word Chen Yu, No. 缑 Hill, the Department 蘅 芜 room owner. Born in Ming Jiajing forty years (1561), died in the Ming Wanli thirty