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鲍勃·迪伦获得诺贝尔文学奖,引起了极大争议。本文试图从现代美学关于艺术的四个重要论争的角度来讨论迪伦的艺术。首先,萨特、巴特关于艺术的介入和非介入之争,笔者认为,迪伦从民谣到摇滚的转变正是这种介入理论论争的体现。其次,艺术标准应该是美还是真,本文指出,迪伦强调艺术的真实性,但是其更偏重于艺术的审美感受。再次,法兰克福学派关于大众文化和精英艺术之争,本文认为,迪伦的作品在一定程度上结合了大众性和创新性。最后,迪伦的艺术还体现了当代艺术从独立走向综合的倾向。
Bob Dylan won the Nobel Prize for Literature, aroused great controversy. This article attempts to discuss Dylan’s art from the perspective of the four important debates on art in modern aesthetics. First of all, Sartre, Bart on the art of intervention and non-intervention of the dispute, I believe that Dylan’s change from ballads to rock is the embodiment of such intervention theory debate. Secondly, whether art standard should be beauty or true, this paper points out that Dylan emphasizes the authenticity of art, but it focuses more on the aesthetic feeling of art. Third, the Frankfurt School’s debate on mass culture and elite art holds the view that Dylan’s work, to a certain extent, combines mass and innovation. Finally, Dylan’s art also embodies the tendency of contemporary art from independence to integration.