“他把身边的琐事变戏法般以简单的面目置于我们的眼前,让我们在悲欣之后,见微知著,领率无常,惘然上路。”这是侯孝贤对于小津的一段评价。小津在导演之路上不仅扮演了一个角色,他更像一位游离电影之外,静观生命流逝的长者。他喜欢表现生活中最普通的情感,平淡而不失优雅。他眼中的亲情,细腻而稍纵即逝,即近且远,总是让我们在温暖之余,感叹生徒悠悠,萌生出淡淡的忧伤。 “He put the trivial side of the juggling like a simple face in front of us, let us in the sorrow, see the micro-known, capitulation, and suddenly on the road.” This is Hou Hsiao-hsien for Ozu’s a comment. Ozu is not only playing a role on the director’s road, he is more like a free movie, watching the passing of life elders. He likes to show the most common emotions in life, dull and elegant. The affection in his eyes, exquisite and fleeting, that is, near and far, always let us in the warmth, sigh students long, sprouting a touch of sadness.