梅娘是抗战时期日本占领区最著名的女作家之一。被冷落半个世纪之后,梅娘得到重新评价,许多旧作得以重见天日。但作者刻意对一些重印的旧作做了修改。本文以短篇小说《侨民》为个案说明,改写后的作品不仅失去了原作所拥有的真实性和在极限状况下产生的语言张力,也失去了作为同是“侨民”的作者那抑郁的情感,变成了单纯的饶舌。文章认为,梅娘的作品里可以说没有一篇是媚日的,任何一篇都没有必要加以修改。可以说她的作品是通过对比“爱国抗日”更深层次的人类存在根源的凝视,获得了不朽的价值。 Mei Niang is one of the most famous female writers in the Japanese occupied territories during the war of resistance against Japan. After being neglected for half a century, Mei Niang was reevaluated and many of the old works can be redeemed. However, the author deliberately made some reprints of the old book. This article shows the case of the diaspora as an example. The rewritten works not only lose the authenticity of the original works and the language tension produced under the extreme conditions, but also depress the depressed persons who are the same as the “overseas nationals” Emotion into a pure rap. The article believes that Mei Niang’s works can be said that no one is Mei days, no need to be amended in any one article. It can be said that her works have gained immortality by contrasting with the deeper roots of human existence in “Patriotic Anti-Japanese War.”