志军在大乐的画集序中说:“乐祥海看了李世南、韩羽、李老十的画,顿时开窍,哦,画原来是这么画的,于是……”这段话,尤其在当下确实有点“误导”的嫌疑,却不“上纲上线”。大乐这个人,就不多说了,他曾是《东方艺术》杂志的老板,对艺术自有战略眼光。从大乐的人物画来看,适度的夸张,自然的变形,对笔墨法度的把握,岂是立马就来的随便玩玩的货色。对于大乐来说,玩,实在是一种心态。这种轻松的状态无疑有益艺术创作的良好发挥,但,大乐的聪明处即在于这状态的背后掩隐着许 Zhijun said in the order of Da Le’s paintings: “Le XIANG Hai looked at the paintings of Li Shinan, Han Yu and Li Laoshi and immediately resumed their work. Oh, the painting was originally painted like this, so ......” Especially in the moment really a little “misleading” suspects, but not “on the line on the line ”. Da Le this person, not much to say, he was the owner of “Oriental Art” magazine, its own strategic vision of art. From the music of the figure painting point of view, modest exaggeration, natural deformation, grasping the penmanship, how can it come immediately casually playing stuff. For the big music, play, it is a state of mind. This relaxed state undoubtedly beneficial to the good play of artistic creation, but the cleverness of the big music lies in the hidden behind the state