论文部分内容阅读
什克洛夫斯基说“艺术即陌生化”。陌生化是俄国形式主义的精髓,首次出现于20世纪初什克洛夫斯基的《词语的复活》(1914)。陌生化,顾名思义,就是使之陌生,它的主要目的就是要取消前在性,就人们对事物的认识进行重构,从而延长审美过程,以增强审美难度和审美感受。诗歌语言中的陌生化尤为明显,本文运用陌生化理论从奇特的隐喻、用词的背离和超常意象的重新组合以及用文字游戏进行的加密与解码等方面对希瑟·麦克休(Heather Mc Hug h)的诗歌《语言课,1 9 7 6》(Language Lesson,1976)语言的陌生化进行了分析。
Shklovsky said “art is unfamiliar ”. Defamiliarization, the essence of Russian formalism, first appeared in Shklovsky’s “The Resurrection of Words” (1914) at the beginning of the 20th century. Defamiliarization, as the name implies, is to make it unfamiliar. Its main purpose is to cancel before the nature of people’s understanding of things to reconstruct, so as to extend the aesthetic process to enhance the aesthetic difficulty and aesthetic experience. The defamiliarization of poetic language is particularly evident. In this paper, Heather Mc Hug (Heather Mc Hug) is used to defamiliarize metaphorical metaphors, the departure of words, the reorganization of extraordinary images, and the encryption and decoding of word games. h) poetry “Language Lesson, 1976” (Language Lesson, 1976) language defamiliarization were analyzed.