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中国戏曲发展到清初时,出现了一个花,雅竞争的局面。1790年,正值乾隆皇帝80大寿,各省有名戏班纷纷奉召入京。浙江盐务大臣为此特组织了三庆、四喜、春台、和春四大徽班进京演出。徽班初来京时,唱腔比较庞杂,既有原徽剧的吹腔、拨子,又有江苏的昆腔、湖北的二簧调,还有柳枝腔、罗罗腔等一些地方戏曲的腔调。祝寿演
When the Chinese operas reached the early Qing Dynasty, a situation of competition between flowers and flowers appeared. In 1790, it coincided with the 80th birthday of the Emperor Qianlong, which was called to Beijing by famous provincial opera troupes. Zhejiang Salt Minister for this special organized three celebrations, four hi, spring Taiwan, and spring four emblem classes into Beijing. At the beginning of the emblem class, the aria was rather complicated. There were both the dramas and plectrums of the original emblem dramas, as well as the Kunqu opera in Jiangsu and the two-sprung ones in Hubei, as well as the accent of some local operas such as willow branches and Luo Luo cavities. Wish birthday show