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美国当代女作家雪莉·杰克逊(1919—1965)的短篇小说《抽彩》(“TheLottery”,1945),原载于美国《纽约人》周刊,后收入其同名短篇小说集(1949),是其重要代表作。 在小说中,雪莉·杰克逊以现代手法,通过刻画几个具有普遍意义的人物形象,完成了对人性和传统的反思,并揭示出这样一个主题:人,由于自身的惰性,或者盲从传统,或者迷信某种荒谬的理论,因而失去了自我,导致了人性的扭曲或泯灭,全盘否定了人的自我生存价值。
TheLottery (1945), a short story by American contemporary writer Shirley Jackson (1919-1965), was originally published in the New Yorker magazine in the United States and later repossessed his short story collection of the same name (1949) Its important representative. In the novel, Shirley Jackson, through the portrayal of several universal characters, modernized her reflection on human nature and tradition and revealed the theme that man, due to his own inertia or blind adherence to tradition, Or superstition of some kind of absurd theory, thus losing the ego, leading to the distortion or dehumanization of human nature, totally denying the value of human self-existence.