自20世纪80年代末期“重写文学史”在《上海文论》开设的系列笔谈中诞生以来,“重写文学史”便作为一个引人注目的话题,不断为文学史研究者所提及、实践与深化。到目前为止,随着“重写文学史”内容的日趋丰富,成果日趋显著,可以肯定的是,“重写文学史”已经在脱离其所指含义的基础上,成为一种观念意义上的事物或曰“公共的象征”。的确,在从中国文学研究界逐步渗透、扩展到思想文化领域的 Since the late 1980s, when “Rewriting Literary History” was published in a series of written articles written in “Shanghai Literary Theory,” “rewriting literary history” has been an attractive topic for the study of literary history Mentioned, practice and deepen. So far, as the content of “Rewriting Literary History” becomes more and more abundant and the results have become increasingly prominent, it is certain that “rewriting the history of literary” has become a kind based on its own meaning The concept of things or say “public symbol ”. Indeed, the gradual penetration from the Chinese literature research community, extended to the ideological and cultural fields