在文学和文学理论的发展过程中,作者自始至终都是一个充满张力的概念,它与文学的命运紧紧地联系在一起。作者不仅是文学生产的主体,也是从事文学理论的工作者们无论如何都绕不过去的概念,同时还是文学理论研究的重要范畴之一。许多理论流派通过对作者的发难来实现其理论的建构。“以作者为文本的来源和中心的观念所面临的挑战——批评必须在文本中得以显现——在当代批评和美学理论中具有决定性;在许多方面,现代主义的批评和理论都建立在这一挑战之上,正如19世纪和20 In the process of the development of literary and literary theories, the author is always a concept full of tension, which is closely linked with the fate of literature. The author is not only the main body of literary production, but also the concept that the workers engaged in literary theory can not get around anyhow. At the same time, the author is also one of the important fields of literary theory research. Many theoretical schools realize the construction of their theory through the attack on the author. ”Challenges with the author as the source and center of text - Criticism must appear in the text - Decisive in contemporary criticism and aesthetics; in many ways, modernist criticism and theory are based on Above this challenge, just as the 19th century and 20