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将景观美学置于自然美学和一定审美文化的整体系统中加以综合把握,通过对景观美学在美学知识谱系中位置的确定,来体现整体美学视阈中景观美学的特殊性及其独特地位,而连接这种审美主体和客体的要素也就是“时间性”的诸要素,它的存在与缺失无疑是基于强大的文化背景当中,探索景观中去领略审美文化与和审美时间性的互相碰撞所形成的多层次、多方位、动态地景观美学的理论从而现实感悟更高的审美价值。
Landscape aesthetics is integrated into the overall system of natural aesthetics and certain aesthetic culture. Through the determination of the position of landscape aesthetics in the pedigree of aesthetics, the landscape aesthetics reflects the peculiarity and unique position of landscape aesthetics. The elements that connect this kind of aesthetic subjects and objects are also the elements of “temporality”. Its existence and absence are undoubtedly based on a strong cultural background, exploring the landscape to experience the collision between aesthetic culture and aesthetic temporality The multi-level, multi-directional and dynamic theory of landscape aesthetics formed thus realizes the higher aesthetic value.