提到馆阁体,大家想到的都是贬义词,但在我们社会日益提倡“说普通话,写规范字”的今天,我们看馆阁体的角度是否可以做一些调整,艺术的传播与表达有创造者和受众者,而创造者终究是少部分,大部分群体是受众者,本文将重点从受众者的角度看待馆阁体书法。现在流行一个词,叫正能量,笔者在这篇文章中想站在大众艺术的角度,以馆阁体对清朝和对我们当今社会所具有的正能量做一个梳理与阐释。 When it comes to museums and pavilions, we all think of derogatory terms. However, in our society today, when we increasingly advocate “speaking Mandarin and writing norms”, we can make some adjustments if we look at the perspective of museums and the dissemination of arts To express the creator and the audience, but the creator is after all a small part of the majority of the group is the audience, this article will focus on the audience from the perspective of the Library of Calligraphy. Now a popular word, called positive energy, the author in this article would like to stand in the perspective of public art, with Pavilion body of the Qing Dynasty and the positive energy of our society to do a comb and interpretation.