现代主义的原则源于黑格尔的哲学,这一论点常常为人们所争论。在这场争论中,由黑格尔的美学讲稿发展而成的基础原则逐渐演化成为与古典传统相分裂的现代主义范式。其中有特别意义的是其形而上学辩证法的重要概念,从这一概念中可推演出诸多种辩证的对立面,如:形式与功能、结构与装饰、具象与抽象。今天的建筑学仍视这些范式为无可质疑的,并且不加以严格的审视。这一事实表明,遵从辩证的形而上学在今天仍占有主导性地位。现在回想起来,尽管现代主义十分注重社会问题,作品也多形象新颖,但有一点是清楚的,即现 The principle of modernism stems from Hegel’s philosophy. This argument is often debated by people. In this debate, the basic principles developed by Hegel’s aesthetic script evolved gradually into a modernist paradigm that was split with the classical tradition. What has special meaning is the important concept of metaphysics dialectics. From this concept, many dialectical opposites can be deduced, such as form and function, structure and decoration, figuration and abstraction. Today’s architecture still regards these paradigms as unquestionable and does not require strict examination. This fact shows that compliance with dialectical metaphysics still occupies a dominant position today. In retrospect, although modernism pays great attention to social issues and works have more novel images, one thing is clear: