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全面抗战爆发后,中国文艺界原有的秩序被打破,大家深刻意识到,“无论阶级、集团、世界观、艺术方法论如何不同的作家,已必须而必然地要接触到血赤淋漓的生活的现实,只有向这现实中深入进去,才有民族的出路,也是文艺的出路。”~1作为文艺界的重要力量,戏剧界最先对全面抗战作出回应。1938年初,中华全国戏剧界抗敌协会在汉口率先成立并发表《宣言》主张:“对于全国广大民众作抗敌宣传,其最
After the full-scale resistance war broke out, the original order of the Chinese literary and art circles was broken, and everyone was profoundly aware that ”no matter how different class, group, world outlook and artistic methodological writers have to come into contact with the bloody life In reality, only by going into this reality can we have a way out for the nation and a way out for literature and art. “1 As an important force in the field of literature and art, the theater industry first responded to the all-out war of resistance. At the beginning of 1938, the Anti-Enemy Association of the Chinese National Theater first took the lead in establishing and issued the ”Declaration“ in Hankou: ”For the vast majority of the people in the country to fight against the enemy,