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衆所周知,周代的古樂有歌(詩)、樂、舞三個組成部分。古樂的功用主要是佐以行禮。根據文獻記載,行禮的時候,有的場合只用樂,有的場合用歌樂,有的場合則歌樂舞皆用。或分或合的使用形式對古樂的發展有着很大影響,如詩樂的分家、歌詩的形制,等等,也導致了文獻中歌樂舞名實關係的混淆。從使用上着眼,能對由這種混淆引起的學術争論(如《大武》、《象》、《酌》與《頌》詩的關係、風詩的性質,等等)有一個比較清楚的認識。以下我們從歌樂舞在使用上的分合出發,探討一系列相關問題。
As we all know, the ancient music of the Zhou Dynasty has three components: song (poem), music and dance. The function of ancient music is mainly accompanied by salute. According to the literature, when politeness, in some occasions, only music, singing and dancing in some occasions, singing and dancing are used in some occasions. Or the use of sub-or combination of the development of ancient music has a great influence, such as the separation of poetry, the formation of poetry, and so on, has led to confusion in the literature and music and dance between the name and reality. From the point of view of use, there is a clearer understanding of the academic debates (such as the relationship between the “big arms”, “elephants”, “discreet” and “ode” poems, the nature of poetic poems, etc.) caused by this confusion . The following we start from the use of singing and dancing in the division set to explore a series of related issues.