如果我们假设具象对抽象的超越的话,那么有一个前提,就是必须以形势创造作为形象创造的出发点,也既是说,只有经过了现代艺术的洗礼,现实的题材才可能向形式创造生成。就张敏杰的艺术历程而言,他并没有经历一个具体的现代主义阶段,但他在 If we assume that the concrete surpassing the abstract, then there is a premise that we must use the situation to create the starting point for the creation of the image. That is to say, only through the baptism of modern art can the realistic theme be created. In terms of Zhang Minjie’s art history, he did not experience a specific stage of modernism, but he was