在西方油画传统中,巴比松画派和印象派的画家们真接面对大自然,创作自己心中的风景画,把风景画独立出来。对于他们来说,写生与创作浑然一体而不可分。他们追求题材与主题的互通,无处不可入画,凡画均可构成作品。我们从美国克里夫兰艺术博物馆藏印象派至现代派精品展中,可以看到二幅梵·高的风景作品：《梧桐树群》和《圣雷米的白杨》,画面色彩对比优美强烈,线条运用扭转狂放,反映出 In the tradition of western oil painting, the painters of the Barbizon School and the Impressionists really face the nature, create their own landscape paintings, and separate the landscape paintings. For them, sketching and creation are inextricably linked. They pursue the interplay of themes and themes, and can draw everything from place to place. All paintings can form works. From the collection of Impressionists to Modernist Fine Arts in the Cleveland Museum of Art in the United States, we can see two of Van Gogh’s landscape works: “Sycamore Tree” and “Poplar of Saint Remy,” with beautiful and intense contrasting colors, The use of twisted lines to reflect the wild