我不太了解拙吾身世,只听说他从美院主动退学,四处云游,多年干别的事儿。最近重拾画笔,所看到的作品是2005年至今的水墨画。给人的感觉是突然爆发,如地火运行终于找到出口,其喷射之猛烈,蔚为壮观。作品画幅巨大,宽度皆1.43米,长度均在2~4米之间,就连草稿也有1米多长。起码可以说明,拙吾对中国水墨画的文人式把玩不感兴趣,而是着眼于公共艺术空间的展示陈列。画幅大小本与艺术高低无甚关系,但可以反映创作心态和控制能力。依传统题材划分,拙吾作品可归入山水画,画笔所至往往是幽冥、诡异的谷地,他自己称之为“太阿巨谷”。因此构图由下至上,绘制犹 I do not know much about my life experience, I only heard that he took the initiative to withdraw from the Academy of Art, wandering around for many years doing something else. Recently, I have picked up the brush again and I have seen the works painted since 2005. Feeling is a sudden outbreak, such as fire to finally find the export operation, the jet of violent, magnificent. Works huge picture width of 1.43 meters, both in length of 2 to 4 meters, and even the draft is 1 meter long. At least we can explain that Zhuowu is not interested in literati-style Chinese ink painting. Instead, it focuses on the display and display of public art space. Frame size and artistic level has nothing to do, but can reflect the creative mentality and control. According to the traditional themes, Zhuowu’s works can be classified as landscape paintings. The brush often has nether and strange valleys, and he himself calls it “Taa Ju Valley.” Therefore composition from bottom to top, drawing stills