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从《骑士风云》、《东归英雄传》、《悲情布鲁克》到《成吉思汗和他的母亲》,塞夫、麦丽丝共导演了四部描写蒙古族历史与生活的影片,这些影片成了中国影坛九十年代一道独特的风景。从最初草原的展望、马势的营造,我们领略了草场与长天共一色,领略了万马奔腾生命盛壮。而今我们看到的则不限于马势的张扬,和草原奇异的风光,从中我们更看到了草原,奔马中流动的气韵,一个民族的历史和现在,一个民族的灵魂。这意味着两位导演在独特的创作道路上的成熟,不再局限于形式和外在,而将民族特有的生存环境和形态与民族精神进行了
From “The Knights”, “Heroes of the East”, “Tragic Brooke” to “Genghis Khan and his mother,” Saffi and Maxi have directed four films depicting Mongolian history and life. These films have become China Film nineties a unique landscape. From the initial grassland outlook, the horse potential to create, we have a taste of the pasture and long days of a total color, a taste of the powerful horse galloping life. What we see now is not limited to the exaggeration of the Ma potential and the bizarre scenery of the prairie. From this we can see more the rhythm of flowing grasslands and running horses, the history of a nation and the present, the soul of a nation. This means that the two directors in the unique creative path of maturity, no longer confined to the form and the external, but the unique national environment and the living environment and national spirit