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在中国当代文学史上,张承志的《黑骏马》、《北方的河》和《心灵史》等小说据有重要位置,他也是20世纪90年代人文精神讨论的焦点之一。本文试图寻找另一个路径,采用“历史发掘”的研究方式,整理他人生、思想和创作的历史地图。我们知道,在中国现代文学史建史过程中,通过整理一个作家的历史地图对其进行历史定位的情况,在鲁迅研究、沈从文研究、老舍研究、张爱玲研究上曾经多次发生过。中国当代文学史的研究,难以离开这一相对稳定的学术史成规。
In the history of Chinese contemporary literature, Zhang Chengzhi’s “Black Horse”, “River of the North” and “Spiritual History” have important positions in his novels. He is also one of the focal points of discussion in the humanistic spirit of the 1990s. This article attempts to find another path, adopting the research method of “historical excavation” to sort out the historical map of his life, thought and creation. We know that in the process of establishing the history of Chinese modern literature, the historical positioning of a writer’s historical map has occurred many times in the study of Lu Xun, Shen Congwen, Laoshe and Eileen Chang. The study of the history of Chinese contemporary literature, it is difficult to leave this relatively stable rules of academic history.