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本文聚焦了美国著名作家威廉.福克纳的斯诺普斯三部曲同美国南方边疆幽默作品在恶作剧人物形象方面的互文呼应。通过这种呼应,三部曲不但吸收了边疆幽默作品中的一类重要的人物形象,而且弘扬了这类作品推崇的社区观念,鞭挞了贪得无厌的斯诺普斯工商者。三部曲与边疆幽默作品在恶作剧人物形象方面的呼应从一个侧面反映了作品丰富的文化底蕴。
This essay focuses on the intertextual response of the Snopos trilogy of the famous American writer William Faulkner and the humorous works of the southern border of the United States in the image of pranksters. Through this echoes, the trilogy not only absorbed an important class of characters in the border humorous works, but also promoted the community concept advocated by such works and lashed out the insatiable Snoopy industrial and commercial workers. The echoes of trilogy and frontier humorous works in the image of mischievous characters reflect the rich cultural heritage of works from one aspect.