“长庆体”叙事歌行在近代掀起了继元白、梅村之后的第三次创作高潮,于诗坛上形成了一道亮丽的风景线。但目前学术界对近代的这类诗歌关注不够,本文从近代“长庆体”诗歌的创作情况入手,分析这类诗歌的创作风貌、特色及其解构的原因。试图从史的角度描绘出这种精美诗体的发展轨迹和生命历程,进而从一个侧面理解和阐释中国古典诗歌的命运与归宿。 “Changqing body ” narrative song line in the modern set off following the third element of white, plum village after the third creation climax, in the poetry circles formed a beautiful landscape. However, due to the lack of attention paid to these kinds of poems in modern times, this essay starts with the creation of modern “Chang-Qing-Tzu” poetry and analyzes its creative style, characteristics and reasons for its deconstruction. Trying to depict the development path and life course of this exquisite poem style from the perspective of history, and then to understand and interpret the fate and destination of Chinese classical poetry from one aspect.