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在唐代张彦远所撰的《历代名画记》中曾对顾恺之的师承传授有过明确的介绍,但通过对其中提到的几位画家生活年代的考察不难发现,顾恺之的师承其实还存在着“直接传授”与“师法前人”的区别;并且,在对顾恺之师承传授的了解基础之上,还能够对曹不兴、卫协、张墨、荀朂、顾恺之、陆探微师承一脉的画法特征有所把握。
There was a clear introduction of Gu Kaizhi’s Shijitongzhuan in Guanxi Notes on Famous Paintings of the Past Dynasties written by Zhang Yanyuan in the Tang Dynasty. However, it is not difficult to find out through the inspection of the lifetimes of several painters mentioned therein that Gu Kaizhi’s teachers still exist “And ” teacher “law predecessors ” difference; and, on the Gu Kaizhi division inheritance based on the understanding, but also to Cao Buxing, Wei Xie, Zhang Mo, Xun Yu, Gu Kai of the land It is a certainty that the trainees should inherit the characteristics of the painting.