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母女关系是当代美国女剧作家玛莎·诺曼关注的重要命题。剧作家以隔阂、冲突为点,渴望、认同为线,在作品《出狱》《洗衣店》和《晚安,母亲》中刻画了母女关系从他者之间到主体间性的发展衍进,揭示了母亲主体性、母女对话于形成母女真爱的重要性。剧作家对母女关系动态、多维的呈现丰富了母女关系图景,续写了母女关系谱系,为女性构建主体自我提供了重要的文化途径,是对母女关系社会伦理建构的有益探索。
The relationship between mother and daughter is an important proposition that the contemporary American playwright Martha Norman pays close attention to. The playwright characterizes the development of the relationship between mother and daughter from the other to the intersubjectivity in the works “Get out of jail,” “Laundry,” and “Good night, mother.” , Revealing the importance of motherhood and mother-daughter dialogue in forming the true love of mother and daughter. The dramatist’s dynamics of the relationship between mother and daughter, the multi-dimensional presentation enriched the mother-daughter relationship, and continued the pedigree of mother-daughter relationships. It provided an important cultural approach for women to construct themselves and is a useful exploration of the social ethics of mother-daughter relationship.