新中国成立以来,中国山水画在诸多既有传统功力、又主动借鉴西方绘画合理因素的山水画大家的共同努力下,完成了山水画从传统向现代的跨越,并创作出了许多无愧于时代的山水佳作,为我们开辟出一条可资借鉴的探求之路。然而时风变幻,30年后,也就是上世纪80年代后,西方现代艺术思潮打断了原有的中国画发展探索之路,许多山水画家在“思潮”的刺激下,做出了各种各样的应对举措。他们或以西方观念手法为指向,或以中西融合为存续,或以传统“以不变应万变”……一时间各种观念纷争不止,各种实验接连不断。转眼间又一个30年过去了,这其中的多种探索,似乎没有取得我们所预期的好效果、没有取得令人信服的成就。也许是对山水画以往的探索之路感到了困惑,也许是感到山水画探索走向出现了问题,近些年来,回归传统又成为了广大山水画 Since the founding of New China, Chinese landscape painting has accomplished the leaping from the traditional to the modern with the joint efforts of all the landscape painters, who have the traditional skills and the rational use of the rational factors of Western painting. They have also created many landscape masterpieces worthy of the times , Opened up for us to explore a way to learn from. However, when the wind changes, 30 years later, that is, after the 1980s, the western modern art thought interrupted the exploration of traditional Chinese painting. Many landscape painters, under the stimulation of A variety of coping measures. They are either orientated with Western concepts and practices or fused with Chinese and Western cultures for survival or traditional “unchanging”.. Another 30 years have passed, and many of these discoveries did not seem to have achieved the desired results and did not yield convincing achievements. Perhaps it is a confusion to the exploration of landscape painting in the past, perhaps feel the exploration of landscape painting has emerged problems, in recent years, the return to tradition has become the vast landscape painting