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上世纪80年代末90年代初,法国绘画材料技法专家阿伯拉罕·宾卡斯、克劳德·伊维尔都曾多次来中国讲学,系统传授欧洲传统绘画材料技法(主要是油画材料透明罩染技法),对中国油画创作与油画教学产生了深远影响。文章通过比较的方法,分析二者传授的传统油画材料透明罩染技法的异同,提出运用这两种绘画材料技法必须共同遵循的基本原则是传统油画材料透明罩染技法的核心与关键,具体的油画材料技法可根据实际需要不断发展完善,为我所用。对我国传统油画材料透明罩染技法的教学、研究与创作具有一定的参考价值。
In the late 1980s and early 1990s, Abraham Bingkas and Claude Iver, experts in French painting materials techniques, came to China many times for lecturing systematically to teach the techniques of European traditional painting materials (mainly the transparency of oil painting materials Masking technique) has had a profound impact on Chinese oil painting and oil painting teaching. The article analyzes the similarities and differences of transparent masking techniques of traditional oil painting materials taught by the two through comparative methods. It is proposed that the basic principle that must be followed in applying the two painting materials techniques is the core and key of the traditional masking techniques. Oil painting techniques according to the actual needs of the continuous development and improvement for my use. It has a certain reference value to the teaching, research and creation of the transparent masking techniques of traditional oil painting materials in our country.