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戏拟作为一种互文现象,在《红楼梦》中有广泛的使用。文章以《红楼梦》的霍译本和杨译本为语料,对这一互文现象的翻译进行了研究。作者将戏拟划分为谐音戏拟和仿作戏拟两大类,其中,谐音戏拟又划分为人名谐音戏拟、地名谐音戏拟和普通谐音戏拟。通过分析,文章认为,戏拟翻译呈现千变万化的动因是译者主体性;译者主体性的不同展现是戏拟翻译在译文中存在种种悖论现象的根本原因。
As a kind of intertextuality, drama is widely used in “Dream of Red Mansions”. This article studies the translation of this intertextual phenomenon by using the versions of Huo’s translation and Yang’s translation of A Dream of Red Mansions as the corpus. The author divides the drama into two categories: homophonic parody and imitation parody, in which the homophonic parody is divided into the homonym parody, the homonym parody and the ordinary homophonic parody. Through analysis, the article holds that the motivation of the ever-changing fictional translation is the translator’s subjectivity; and the different manifestations of translator’s subjectivity are the fundamental reasons for the existence of paradoxical phenomena in fictional translation.