台湾导演李云婵在其电影的童话表达和视觉建构上表现出了极高的潜质和悟性。在她的电影中,对民间故事分类体系“AT分类法”中的“AT461型”民间故事进行了现代化的阐释;运用“童话化”的叙事策略弥合故事与现实之间的差距;借助视听艺术手法对经典童话借用、修改和片段化的使用,强化了其电影超现实主义的梦幻效果,给观众带来了一种观看电影的全新感受,也引发了人们对于现代都市人“幸福观”的思考。 Taiwanese director Li Yunchan showed great potential and insight in the fairy tale expression and visual construction of his film. In her movie, I have modernized the “AT461” folktales in the classification system of folk tales “AT classification ” and used the narrative tactics of “fairy tale ” to bridge the gap between stories and reality The use of audio-visual art techniques to borrow, modify and fragment the use of classic fairy tales has strengthened the fantasy effect of its film surrealism and brought the audience a brand new feeling of watching movies and also led people to the modern city Reflections on Human “Happiness Concept ”.