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大家都知道,直干式的盆景是一种静的格调。我们一般采用大飘枝来打破这种形式。我认为这还不够,盆景艺术家贺淦荪老前辈早就提出了盆景要有“飞扬的动势,活泼的节奏,自然的神韵,写意的效果”。我在实践中把直干式的桩景上盆时,有意识地将树干向后倾斜数度,或者把树干的上部向后弯成一定的弧度,效果都很好。原因是使本来静止的树干增加了动感,更使之产生了一种仰视效果。
As we all know, straight dry bonsai is a static style. We generally use big branches to break this form. I think this is not enough, bonsai artist He Gan-sun veteran long ago proposed the bonsai have “flying momentum, lively rhythm, natural charm, freehand effect.” In practice, when I put a straight dry piles on a pot, I consciously tilt the trunk back several degrees, or bend the upper part of the tree trunk back to a certain arc, which works well. The reason is that the static trunk has increased the dynamic, but also to produce a look up effect.