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1980年代以来,越来越多的影视作品开始尝试,或通过对多种戏曲元素的叠加,或藉助对某一类戏曲元素的巧妙融合,在镜像中有效地实现了戏曲由传统艺术向现代艺术的身份递嬗与对接。从时代背景看,二者的对接恰发生于戏曲艺术衰退与戏曲元素崛起之际:从形态呈现和思维理念看,这是一种典型的以美学意蕴彰显个性魅力、以碎片拼贴显示价值意义的对接生存方式;从传播发展讲,由这一方式缔造出的影像景观,正是对戏曲艺术生命力的一种创造性延续。
Since the 1980s, more and more films and television works have begun to be tried, or through the superposition of many kinds of traditional opera elements or through the ingenious fusion of some kinds of opera elements, the traditional Chinese opera to modern art Identity of the evolution and docking. From the background of the times, the connection between the two takes place just after the decline of the drama art and the rise of the elements of the opera: from the perspective of the morphological representation and the thinking concept, this is a typical aesthetic charm that reveals the charisma and shows the value meaning by the fragment collage The way of docking survival; from the spread of development, by this way to create the image landscape, it is a creative continuation of the artistic vitality of the opera.