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看得出来,阿北的诗还停留在抒情时代的言说方式,在我们今天看来,已经陈旧的抒情,已经失去写作难度的言说方式,在阿北这里,似乎获得了一些新的意义和价值。比方说,在《春晚,在路上》,从诗歌语言的角度看,我觉得还有些生涩,不够娴熟。从局部细节处理来看,阿北很善于从对立的事物中发现诗歌主题。春晚,一个很有意味的时间节点,一方面是万家团圆,一方面有家不能归,圆和缺、新和旧、冷和暖、明和暗、幸福和痛苦,绝望和希望通过场景化的细节,打开了较为繁复的诗意空间。
It can be seen that Northern Poetry still stays in the lyrical age. In our view today, it seems that old lyricism has lost its way of writing. In northern China, it seems that some new meanings and values have been obtained . For example, in Spring Festival Gala, on the road, from a poetic language point of view, I feel jerky and unskilled. From the local details of the point of view, Ah North is good at finding poetry from the opposite of the subject. On the Spring Festival Gala, a very interesting time node, on the one hand, is a reunion of 10,000 families. On the one hand, there are families that can not be returned to one another; round and lacking; new and old; cold and warm; bright and dark; happy and painful; hopeless and hopeful Details, opened up a more complicated space for poetry.