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当写作不再是发自内心的创造。而成为禁锢思想、束缚思维令众学子狐疑不决.惊惧不已的桎梏时.真应为写作者掬一把同情之泪。在仍然面临的是最终的考分决定人的前途命运的严酷现实——便凸现出人性的脆弱:不得不违心地去买一本早先就嗤之以鼻.后虽连遭挫折依然嗤之以鼻的所谓“写作精讲”之类的书,这是不是考试指挥棒的最终的胜利? 在“南方周末”上。曾刊登过2001年法国文理科的两组高考作文题.记得那天当看到那自由开放且洋溢着哲学思辩以及人文精神的试题时.内心的激动真的难以言表.却为中国作文教学的现状感到深深的羞愧——在我们为那年高考命题终于跨出成功的一步而沾沾自喜的时候.却戏剧性地让国人痛苦地看到了中国与世界的差距! 习作的出色之处.在于它生活的逼真以及生动细腻的心理描写与衬托方法的运用.表现了作者对于独抒心灵、自由表达的不屈追求。
When writing is no longer a creation from the heart. And it became the idea of imprisonment and bound thinking that made all students doubtful. When they were scared, they should really be the writer’s tears of sympathy. What is still facing is the harsh reality in which the final score determines the fate and destiny of the human being - it highlights the fragility of human nature: it is necessary to buy a book that was previously sniffed. “The book like this is not the ultimate victory for the exam baton? On ”Southern Weekend". There were two sets of college entrance examination essay questions published in 2001 in French liberal arts and sciences. I remember that when I saw the free and open questions filled with philosophical debates and humanistic spirits, my inner excitement was really unspeakable. But it was for Chinese composition teaching. The current situation is deeply ashamed - when we were gratified by the fact that the college entrance examination proposition was finally a successful one. However, we dramatically pained people in China to see the gap between China and the world! The outstanding thing about the work lies in its life. The realistic and vivid psychological description and use of the foiling method demonstrate the author’s unyielding pursuit of the spirit and freedom of expression.