黄庭坚对“王羲之、王献之”(并称“二王”)书法有自己独特的见解,其在学书过程中逐渐发现并构建了“二王”书脉。黄庭坚从“自成一家”“尚韵”以及“学识涵养”等角度出发,对“二王”在唐宋的传承脉络进行了梳理,肯定了颜真卿、张旭、怀素、杨凝式、苏轼、王安石诸家对“二王”书脉的正面传承,同时,指出欧阳询、虞世南、褚遂良、周越、苏舜钦、苏舜元、王著或为法度所缚,或“病韵”的历史流弊。黄庭坚对于“二王”书脉的发现与构建主导了后世书家对于宋以前书法史的基本认知,其重要性不言而喻。 Huang Tingjian has his unique opinion on the calligraphy of “Wang Xizhi and Wang Xianzhi” (also known as “Wang Wang ”). Gradually, he discovered and constructed the “Book of Two Kings” during his study. Huang Tingjian sorted out the inheritance of the “Two Kings” in the Tang and Song Dynasties from the angle of “” “” “still rhyme ” and “knowledge conservation ”, affirmed Yan Zhenqing, Zhang Xu, , Yang Ning, Su Shi, and Wang Anshi ’s various families expressed their positive inheritance to the Book of Arms of the “Two Kingdoms.” At the same time, they pointed out that Ouyangqian, Yu Shinan, Chu Suoliang, Zhou Yue, Su Shunqin, Su Shunyuan, “Sick rhyme ” history abuses. Huang Tingjian’s discovery and construction of the Shu Qi of the “Two Kings” dominates the later generations of calligraphers on the basic cognition of the history of calligraphy before the Song Dynasty, and its importance is self-evident.