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延安木刻工作者虚心向民间艺人学习,对民间美术进行了搜集和整理,积极探求木刻的中国化和民族化。他们运用中国民间木刻阳刻为主的表现方法,吸收了陕北民间剪纸的智慧,借鉴汉代画像砖、画像石的技巧,把民间美术的装饰性色彩、平面化构图、单线勾勒、夸张造型和象征手法吸收进来,并加以改造,使延安木刻从借鉴外来艺术形式转向为中国老百姓所喜闻乐见的民族形式。
Yan’an woodcut workers humbly learn from folk artists, collect and arrange folk art, and actively explore the woodcut of Chinese and nationalization. They use the Chinese folk woodcut engraving as the main method of expression, absorbing the wisdom of folk paper-cut in northern Shaanxi, drawing on the Han Dynasty portrait brick, portrait stone skills, the decorative folk art color, graphic composition, outline single line, exaggerated shape and Symbolism is absorbed and transformed, so that Yan’an woodcut can be borrowed from the foreign art form and turned into a national form that is loved and loved by Chinese people.