一、我的艺术观点 中国的重彩画,早在北周时期伴随着西域佛教东进,就逐渐由西域风格转为中原风貌,并一直持续到隋唐,形成了辉煌的成就。因此,它也是中国优秀绘画传统的重要组成部分。但是,自元代士大夫画家崇尚文人画的兴起,以及思想领域玄学与禅宗盛行,重彩画被贬为下里巴人的工匠之作而逐渐消亡。其精湛的表现方法及技巧至今在国内几乎荡然无存。中国历史上的水墨画和重彩画在当时传入日本后演变成“南画”与“大和 First, my artistic view China’s heavy color painting, as early as the Northern Zhou Dynasty with the Western Buddhism east, gradually from Western style to the Central Plains style, and continued until the Sui and Tang Dynasties, forming a brilliant achievement. Therefore, it is also an important part of China’s outstanding painting tradition. However, the rise of metaphysics and Zen Buddhism advocated by Yuan Dynasty scholars and painters, as well as the disappearance of metaphysics and Zen Buddhism in the field of thought, and the reduction of heavy color painting to the work of craftsmen from the Lower Reich. Its superb performance methods and techniques are almost gone nowhere in the country. In the history of China, ink paintings and heavy color paintings were introduced into Japan at the time and evolved into “Southern Painting” and "Daiwa