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致密的质地、细腻的石肤,在暖色调封裹下显得温润而又沉凝;饱满的体块、随形的层状,在犹如人形的结构中显得既有序又合理;连贯的轮廓、递级的曲变,在收放自如的勾勒中显得稳定而得体。借着这一自然结构的巧合,配座便有了大胆创意的依据:底座上方落口处的佛衫纹饰,显然是为了突出弥勒的完整形象,并且起到以动托静的视觉效果;八角形底座,看似仅为特定座形,其实隐含着弥勒行善天下、游走八方的寓意。
Dense texture, delicate stone skin, warm envelope under the warm tone and Shen condensate; plump body block, with the shape of the layered, in the human-like structure is both orderly and reasonable; consistent outline, The grading of the curve, in the outline of the ease and stability appears decent. With this natural structure by coincidence, with the seat there is a bold and creative basis: the base at the entrance to the Buddha shirt decoration, apparently in order to highlight the complete image of Maitreya, and play a static visual effects; Angular base, seemingly only a specific seat, in fact, implies the Maitreya good world, walking all directions implied.