论文部分内容阅读
文章从思维对象、思维与语言这三者的关系入手 ,从三个方面分析了文学创作中思维、意象、语言的模糊性以及由此产生的审美效应
The article starts with the relationship between the object of thinking, thinking and language, and analyzes the fuzziness of thinking, imagery and language in the literary creation and the resulting aesthetic effect from three aspects