余少时失学,唯酷爱书法,当年在家务农或后创业于外,皆不废临池。冬唤春来,日晷往复,心追手摹,日课从未儿戏。悠悠哉,屈指已近半个世纪,从冒昧与周汝昌先生对话,到拜谒启元白先生聆听箴言,又匆匆逾三十载光阴矣。楷书,余独爱柳诚悬,因其用笔峻拔,结体方圆兼备;行书师法欧阳询及二王,书卷气外,合灵秀于雄强之中。近习北碑,试图于碑帖兼容中获取新的自由。“书之妙道,神采为上,形质次之”(南朝王僧虔《笔意赞》),而神采发乎线质,线质纯则神采焕耀;神采发乎性情,性情真则神采朴茂,信不谬也。 Yu less hours out of school, only love calligraphy, then farming or after the start-up at home, do not waste temporary pool. Call the spring in winter, sundial reciprocating, heart chasing hand-G, Japanese class has never been children’s play. For a long time, it has been almost half a century since Quchui began his dialogue with Mr. Zhou Ruchang and paid homage to Proverbs by Mr. Qi Yuan-bai. Regular script, Yu Cheng Ai Liu Cheng hanging, because of its use of pen Jun pulling, knot both radius; line lawyer Ouyang inquiry and two kings, book gas outside, together Ling Xiu Yu Xiongqiang. Intern North Monument, trying to get new freedom in the tablet compatible. “The Book of the Road, the appearance of God, the quality of the second” (Southern princely god “pens praise”), and the appearance of the quality of the line, the line quality pure look glittering; Then look good Park Mao, faith is not absurd also.