自研习篆刻以来,经过了初学时的懵懂彷徨,在解决了基本的技法范式之后,如何找准自己的风格定位就成为继续前行必须要解决的问题。不贪多、务求精,是甘海民先生的提醒。近些年来,在总体专注于工稳印风的前提下,我刻过小玺,尝试过鸟虫,但致力最多的还是精工旖旎的细朱文。 Since the study of carving, after a beginner’s comprehension, after solving the basic technical paradigm, how to identify their own style positioning has become a problem that must be solved before continuing. Do not be too greedy, and strive to be refined, is Mr. Gan Haimin reminder. In recent years, under the premise of a general focus on steady work and style, I inscribed a small seal and tried birdwatchers, but most of the works devoted to delicate fine Zhu Wen.