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纵观西方现代雕塑发展史,除了一种否定一切的姿态,似乎再找不出什么能够贯穿整个变革的过程。但可以肯定的是,在空间和量块、发展与退步的矛盾中,雕塑艺术以“直线辩证法的观念”(罗伯特休斯语)走出了多元化,更将其影响扩展到更大的影响范围,向人们宣示着真正属于艺术的真谛。文艺复兴后,雕塑相对绘画一直式微。尽管19世纪后半期法国雕塑家罗丹的出现为雕塑带来了新的气息,
Looking at the history of the development of modern Western sculpture, in addition to a negative attitude, it seems impossible to find anything that can run through the entire process of change. But what is certain is that in the contradiction between space and measurement, development and regression, the sculpture art has gone from pluralism to “the concept of linear dialectics” (Robert Hughes), extending its influence even further Affect the scope of the people to declare the true meaning of true art. After the Renaissance, sculpture relative painting has been micro. Although the appearance of the French sculptor Rodin in the second half of the 19th century brought a new flavor to the sculpture,