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舞剧的创作之难,表现在每年创作数量之巨,但留下记忆的却很少。甭管你得了多少赞誉和各种可疑的奖项,所渭的成功之作,真正能够留在舞台上继续演出,能够有人买票欣赏,既而成为名符其实作品的舞剧,更是凤毛麟角。原因多而复杂,不是我等俗人能够说得清楚。只知与其他戏剧形式相比较而言,舞剧创作的成功率就非常低,这也从一个侧面说明了舞剧创作的复杂性和特殊性。惟其如此,一旦有一部舞剧上演,我都是满怀期待的希望能够看到“希望”。更何况自己也掺和这些事,更觉得应该关注中国舞剧的创作和发展。所以,虽不是专家,但也斗胆谈谈专业的问题以求教诸位。
The difficulty of the creation of ballet is manifested in the huge amount of creation each year, but few memories are left behind. Regardless of the number of accolades and suspicious awards you have won, the successes of our deeds can truly remain on the stage and continue to perform. You can buy tickets for appreciation and become a real ballet. It is even more rare. For many reasons, not me and other lay people can speak clearly. Only know compared with other forms of drama, dance drama success rate is very low, which also illustrates the complexity and specificity of the creation of dance drama. Only in this way, once a dance drama is staged, I am full of hope and hope to see “hope ”. Not to mention that they also blend these things, but also think that we should pay attention to the creation and development of Chinese ballet. So, although not an expert, but also boldly talk about professional issues in order to ask you.