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当人们发现时间作为空间的第四个维度以后,电影和建筑这两个截然不同的艺术领域就开始被频繁地进行类比,而空间蒙太奇理论在时间轴上的编排和叙述技巧也对建筑设计师和室内设计师产生了深刻的影响。本文基于对2010年上海世博会意大利馆建筑结构和室内设计的分析,总结了空间次序组织中的蒙太奇手法,以为实际的设计工作提供一些切实可行的借鉴和参考。
When people find time as the fourth dimension of space, the two distinct fields of film and architecture begin to be frequently analogized, and the layout and narrative skills of spatial montage theory on the timeline also affect architects And interior designers have had a profound impact. Based on the analysis of the building structure and interior design of the Italian pavilion at the 2010 Shanghai World Expo, this paper summarizes the montage techniques in the spatial order organization, in order to provide some practical reference and references for the actual design work.