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明代天津文学有两股创作力量,即流寓文人与本土作家。明洪武至嘉靖,天津文学的创作主体是流寓文人,他们的作品或描摹津门风光,或抒一时一地之感怀,文学样式涉及诗、文两种。嘉靖至明末,天津本土作家开始出现,并创作出诸多优秀的文学作品,其成就集中于诗歌。由流寓文人、本土作家的创作可知,明代天津文学的发展受到了中国文学主流思潮的影响,在一定程度上反映出明代中国文学的发展轨迹。
There are two creative forces in Tianjin literature in the Ming Dynasty, namely literary writers and local writers. Ming Hongwu to Jiajing, the main body of Tianjin literary creation is a literary writer, their work or portrayal of Jinmen scenery, or to express the feeling of the time and place, literary style involving poetry, two. Jiajing to the end of the Ming Dynasty, local writers in Tianjin began to emerge and created many outstanding literary works, whose achievements concentrated on poetry. From the literary creation of writers and native writers, we can see that the development of Tianjin literature in the Ming Dynasty was influenced by the mainstream trend of Chinese literature, which to some extent reflects the development of the Chinese literature in the Ming Dynasty.